This high energy hard rock track in A is a 32 bar loop, following an AABA pattern within each loop. There are a lot of chords and a lot of movement, but the track does not wander far from its home in A minor. It is rhythmically varied, providing a challenge for you to play off when improvising. Key: A minor. Tempo: 170 BPM
A standard 12 bar blues with a surf rock feel. The main guitar part and the bass avoid thirds, leaving flavour of blues scale up to you. Moderately fast, at 158bpm. In addition to that standard chord chart and scales, this one includes tab for the main guitar line playing throughout the track.
This rock track uses mostly power chords and suspended chords, leaving lots of room to experiment with different scales. A simple, easy to follow form makes it an easy track to relax into and just play. On the faster side, at 170bpm, it will get your fingers moving, and the off-beat changes and accents will get you playing rhythmically. This one is a lot of fun!
This up-tempo rock blues was recorded with guitars tuned down a half-step, making the key Ab. To jam to this track, either use your standard tuned guitar and play in Ab, or tune down a half-step and shred in A. With a straight feel, this is an ideal track for practicing your faster 16th note licks and runs. Tempo: 175bpm.
This vamp sits on Em for 16 bars, before giving a 4 bar turnaround on B. At 200BPM, it’s a perfect track for practicing improvising over a faster track, without needing to worry about too much harmonic movement. If you’re inclined to tune your guitar to Eb standard, this track also has you covered, with an alternative version included in the download with all instruments downtuned a half-step.
Channel the raw energy of the 1950s with this upbeat rock ’n’ roll jam track inspired by "Johnny B. Goode." Perfect for practicing fast single-note lines, double-stops, and classic 12-bar phrasing—this track captures the swagger and momentum of early rock ’n’ roll while leaving plenty of space for your own personality. Ideal for guitarists, but suitable for any solo instrumentalist who wants to rehearse authentic 50s-style licks and phrasing in a performance-ready setting.
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